Facts & Figures

Arab Countries

15

Number of Submissions

370

Female Participation

42%

7th Mahmoud Kahil Award Winners

March 2022

Raafat Al Khatib

Editorial Cartoons

Raafat Al Khatib | Jordan

Alkhatib is a political cartoonist and satirist from Jordan currently living in the US. His work experience spans over a decade of professional publishing on platforms like Al Jazeera, Al Hudood Network, and The Cartoon Movement. He is an active member in Cartooning for Peace. His work won both local and international awards, including but not limited to Turkey, Brazil, and Cuba. He is currently publishing his works on his social media outlets and website. His work addresses universal themes, with a focus on fighting racism, by adopting diverse points of view. His most recent work focuses on the war on Gaza.

Barrack Rima

Graphic Novels

Barrack Rima | Lebanon

Born in Tripoli, Lebanon, and living in Brussels, Barrack Rima is a comics artist and a film maker, and a member of Samandal comics association (Beirut). Some of her comics works : Cairo storyteller (in French, La Cafetière, 1998) ; Beirut trilogy (in French, Alifbata, 2017) ; In the taxi (in French, Alifbata, 2020) ; De Brusselmansen (in Dutch, weekly in Brussel Deze Week newspaper, 1998-2003); Sociologia (in Arabic, weekly in Al Akhbar newspaper, 2014-2015).

Mohamad Salah

Comics

Mohamad Salah | Egypt

A Cairo-born and based comic book artist with a knack for social commentary and science-fiction. He graduated in 2005 from the faculty of fine arts, Helwan University. Salah has worked across a multitude of visual communication disciplines since 2002; starting out with comics and painting, and venturing into areas such as animation, editorial cartoons, illustration and advertising. His work was published in magazines and newspapers such as Samir, Toktok, Al-Masry Alyoum and Al-Shorouk, and exhibited in Egypt, Lebanon, Tunisia and France (Angoulême). 

Karen Keyrouz

Graphic Illustration

Karen Keyrouz | Lebanon

Karen Keyrouz is a multidisciplinary artist whose practice is a “va-et-vient” between drawing, comics and filming. She launched her first graphic Novel “Flux et Reflux” (2018) with the Académie Libanaise des Beaux-Arts, where she earned her master’s degree (2015). She also published several short comics such as “The 8th Sleeper” (Samandal-Experimentation, 2018) “Urine”(Lyon BD, France 2018), “Are You Still Reading the News” and “Have a Seat”(Zeez Collective, 2017). Karen exhibited her work in several international festivals: Angoulême International Comics Festival, Lyon BD, BD Amiens and Cairo Comix. She co-founded Zeez collective and is an active member of the acclaimed Samandal Comics, where she edits, writes and draws comics. In 2017, she organized with some friends the “drawing concert” in Beirut, where she developed a specific language in visual improvisation based on the “Pareidolia”.

Baraa Al Awoor

Chilldren’s Book Illustration

Baraa Al Awoor | Palestine

Born and based in Gaza, Alawoor earned her bachelor degree in English teaching language in 2015. She worked as a freelancer on illustrating children’s books and outreach material. She has illustrated more than 25 books in countries such as Lebanon, United Arab Emirates, Morocco, Palestine, Saudi Arabia, Canada, Georgia, Switzerland, Jordan and others. In 2021, her work won the Etisalat Award for Children’s Literature for best illustrations.

Ali Mandalawi
Ali Mandalawi
Ali Mandalawi
Ali Mandalawi

Since his 1983 painting “Al-Sayyab,” which combined the simplicity of artistic elements with the richness of a modern poet’s world, Ali Al-Mandlawi has been a remarkable phenomenon in Iraqi cartoons, surpassing what we have known in the history of this art form, which for many years was dominated by the artist Ghazi Al-Baghdadi and the prominent names who followed him. This painting seemed far removed from all the children’s drawings that Al-Mandlawi excelled in.
Ali Al-Mandlawi was born in 1958 in the city of Mandali, rich in Kurdish cultural heritage. He joined the Institute of Fine Arts in Baghdad in 1973. During his first year, he displayed a collection of cartoons about the nationalization of oil at the institute’s club. In his third year, he participated in an exhibition of political posters for the institute’s students, supervised and organized by the artist Rafi’ Al-Nasiri. The design combined photography and caricature, and addressed the assassination of Lebanese leader Kamal Jumblatt. This design was later used as a postage stamp by the Iraqi Postal Authority. His departure from the strict traditions of art education and his shift from the constants of academic drawing received the attention and encouragement of some of his direct professors at the Institute of Fine Arts, such as artists Muhammad Ali Shaker and Rafi’ al-Nasiri. It was clear that al-Mandlawi recalled from his childhood and adolescence the inspiration he received from children’s magazines such as Samir, Mickey, and Bisat al-Reeh, among others. This was the beginning of his interest in children’s art, which later bore fruit. While still a student at the Institute of Fine Arts, al-Mandlawi joined Majallati and al-Mizmar in 1975. This represented the first serious attempt to develop children’s culture, and artists known for their distinctive style and high artistic craftsmanship worked there, including Talib Makki, Bassam Faraj, Mu’ayyad Ni’mah, Mansour al-Bakri, Salah Jiyad, and Faisal Laibi. Amidst this group of creatives, Al-Mandlawi developed his artistic style, drawing on references from diverse artists. Perhaps the decorative features of the manuscript by Al-Wasiti, one of the most prominent 13th-century illuminators, and the convergence of its compositions linked to the text, set him apart from others. During his work at Dar Thaqafat al-Tifl (Children’s Culture House), he illustrated more than forty children’s publications, some of which are considered among the house’s most prominent. The success of the “Majallati” experience led to the establishment of Dar Thaqafat al-Tifl (Children’s Culture House), which enjoyed exceptional presence due to its direction, vitality, diverse output, and the freedom granted to its artists to realize their visions, reflected in its distinguished publications.

Skef kef
Skefkef Collective

“Skefkef” is a popular sandwich among the working class of Casablanca. Its bad smell undermines its delicious taste (also called “khanz w banin” that literally translates to “stinky and delicious”). It is also the name of a Casablancan comics Franzine, organized by “Rousoum” and produced in partnership with the “Casablanca Lozein” cultural center.

“Skefkef” aims to encourage the production of comics, and to promote their accessibility across the Maghreb. In June 2013, Salah Malawli gathered a group of Maghrebin artists, including Mahdi el Anasi (from the Brain Oil Factory collective), Mohamad el Balawi (Rebel Spirits), and Husni Mokhales (poet and playwright). Later on, other artists joined and contributed to this initiative, most notably Ayoub Abid, Salaheddin Basti, and Mohamad Rahmo.

“Skefkef” invites writers, producers and talented artists to two yearly meetings, in order to think on a specific topic and develop it into a mixture of writings, explanations, and comics, to be published in Arabic in a seventy page-long magazine. Each issue features an artist from the Middle East and North Africa, in order to promote dialogue and communication among artists of the region. The magazine also aims to link comics to music. For each issue, musicians and bands are invited to compose a piece, relating to the main topic of the issue, to be published on the back cover in the form of a QR code, allowing readers to listen to the piece by scanning it. “Skefkef” acts as a window and a laboratory that aims to instill the professional character on comics in the Maghreb. It is linked to other similar initiatives across the Middle East, and strives towards a long-term creative vision.

In order to enrich the Maghrebi comics scene, the “Rousoum” organization produced the “Golojam Zein” magazine. Young artists are challenged to secretly produce an illustrated magazine on a specific topic by commissioning the drawing of twelve pages – a cover, and an eleven page-long comic – during 24 hours. Since this initiative is founded on healthy competition, participation is open to students, teachers, amateurs and professional artists, in Casablanca and other places. Participation itself becomes an act of creation.

7th Mahmoud Kahil Award 2022 Finalists

Editorial Cartoon

  • Bernard Haje | Lebanon

Graphic Novel

  • HONORARY MENTION Deena Mohamed | Egypt
  • Where to Marie | Lebanon

Comics

  • Lena Merhej | Lebanon
  • Farid Nagy Nasry | Egypt

Graphic Illustration

  • Aliaa Abou Khaddour | Syria
  • Sarah Saroufim | Lebanon

Children’s Book Illustration

  • Hanane Kai | Lebanon
  • Omar Lafi | Jordan

Meet the Jury

Julie Tait is the Founder Director of the United Kingdom’s Lakes International Comic Art Festival. This festival is recognized as one of the leading comic art events in the world, with more than 27 international partnerships and an array of commissions, spanning its nine years of existence. Tait has a long and rich experience in establishing and running festivals. From developing and working on book, film and television festivals, to multi-art form and South Asian performing arts festivals. In 2008, she won a commission from the London 2012 Olympics to create and deliver a large-scale outdoor arts program during the four years leading up to 2012. Having been originally trained as a musician, she also enjoys exploring new cultures and the outdoors, and has a particular love for comedy in all its guises.
comicartfestival.com
Noha Habaieb is an illustrator working between Doha and Tunis. She is one of the founders of the LAB619 collective, a Tunisian comic magazine launched in 2013. Habaieb also co-organizes and takes part in artistic residencies around migration, identity and borders. In 2017, she co-founded Atelier Glibett, an illustration studio based in Tunis.
@nohahabaeib
Mohamed Elseht is a comic book artist and cultural manager, and is one of the Egyptian twin duo (Twins Cartoon). He studied at the Animation Department at the Faculty of Fine Arts of the Minia University, in Egypt. For over 10 years, Mohamed has taught the art of comics at various workshops and festivals around Egypt and the world. As a program officer and cultural consultant of the Sultan foundation, he worked on the historic, and recently restored, Maq‘ad of Sultan Qaitbey in the cemeteries of old Cairo. He also organizes various cultural activities (training courses, workshops, performances, exhibitions, and medical convoys) to engage children and young-adults in civic work, awareness campaigns relating to local heritage and history. Elseht is a co-founder of the Cairo Comix International Festival and Garage Comics Magazine. The Garage collective was introduced to the Arab comics scene in 2015. It has since grown into a safe haven for artists and writers who retain their creative freedom and challenge the Egyptian and Arab public with new perspectives.
@twinscartoon
Haitham Elseht is a comic book artist and lecturer, and is one of the Egyptian twin duo (Twins Cartoon). An avid reader of comic books from a young age, he enrolled in the Animation Department at the Faculty of Fine Arts of the Minia University, in Egypt. Having graduated in 2008, he was inspired by the cosmopolitan city of Cairo, characterized by its rich visual identity, culture, and various urban spaces. As an independent artist and cultural actor, he was preoccupied by the censorship and harsh regulations of the visual art market (comics especially) taking place in the Arab world during the past decade. In 2014, Elseht started the Kawkab Elrasameen initiative, which has now grown into a large community of almost 2000 active members. This community caters to independent young artists. It organizes indoor and outdoor artistic gatherings across the streets of Egypt and various spots around the world. Visual art and comics workshops are also organized for advanced, underground, and amateur artists. Elseht is also a co-founder of Cairo Comix International Festival.
@twinscartoon
George Khoury is a renowned Lebanese comics artist and critic. He has published several comic albums (graphic novels) and series in daily newspapers since the 1980s and received several awards. He authored several articles and essays on the history of comics in the Arab world, and continues to write critically on comics from the region. He has been head of the Animation Department at Future Television since its launch in 1993, and teaches at the Lebanese American University in Beirut.
@georgekhouryjad

7th Annual Mahmoud Kahil Award Book

Available Now!